Sunday, May 11, 2014

Photos of the Day (Night)

Paris is beautiful: Full of history, culture (with just the right amount of pretension), and endless opportunities to marvel at just how great the human race can be. Here are some photos from a trip I took there: Some of them are simply stunning, particularly for an Iphone camera:

-Sacrebleu! It's Sacre Couer!

-Wes Anderson-esque symmetry around the Eiffel Tower

-This door is far too big...

-This one is far too small...

-Aye, aye, aye - it's Versailles!

-A bath for the ages

-And a student band reminds people why we're alive in the first place.

Viva La Revoluction! Viva La Resistance! Viva La France!






Saturday, May 10, 2014

Music Review of the Day


Giorgio Moroder - From Here to Eternity (Casablanca Records)

On July 22nd, 1977, disco producer Girgio Moroder changed the music world. With his From Here to Eternity album, Moroder introduced the world to electronic disco, leading to the electronically-focused mainstream world we have today. 

Daft Punk lovers beware - nothing they do had not been done before, as is quite evident on this release, containing songs such as the title track/album opener, a song that reeks of perfect late 70's/early 80s cheese and informed the next generation of DJs on how to make dance music the right way.



Another notable track is "Utopia Me Giorgio", the most electric-focused song on the album, and a harbinger of all disco and house to come - similar to the rest of the album, but with its hear clearly concentrating on the future.



If that weren't enough, the album's final track, "Too Hot to Handle" is its most playful, keeping the same instrumentation but channeling a toddlers joy in listening to such a revolutionary album. Perhaps the clearest example of Daft Punk's playful influence on an album that plays out like a greatest hits of the mainstream electronic band's main influence/originator.



Do yourself a favor and buy the album of vinyl here

Friday, May 9, 2014

Today's Oldies but Goodies

Some more reminders that music was simply better back in the day: more full of life, more about the artistry, and far more stylish than whatever the hell is going on with famous musicians these days.






Thursday, May 8, 2014

Short Story Samplings: #4

And the Crowd Goes Wild

It had been a full week since I had stood where I was, staring up at the rotund, faded blue building that read Helen Parkhurst High. The building seemed no different, but I found myself drawn to the hurricane shutters that lined the windows of every classroom. I could see the face of some pussy freshman peering through one of them, looking right at me, and then, knowing that I caught his gaze, jumping back down into his seat to tell the world of my return.
            The week before, I had gotten into a fight. Not a “give me your lunch money” fight, but a real, bare-knuckle brawl. My opponent was Steven Mehler, the kid whose dad suddenly signed up for the military to “finally do something with himself” and then just as suddenly came back in a body bag. Ever since then, he had a nasty streak of aggression. First it was drunkenly taking Rebecca Miller’s virginity in my parent’s bedroom, and then it was leading a school-wide vendetta against Ms. Richards, the English teacher who refused to let him sit in the back corner of the classroom. Recently, his frustration had been manifesting itself in the form of asking anyone, almost everyone, for a fight. When he came to me, I figured why not. If nothing else it would get him to shut up for a while.
            Although his bite certainly did not live up to his bark, he actually gave me a pretty good workout that day by the outdoor basketball courts. For what must have been about three minutes, he used up all his energy, flailing his arms around like someone who knew they couldn’t take a single punch.  He had me jumping around, far too worried about him possibly getting one good shot in to notice that he wasn’t protecting himself at all. When his battery ran out, he held his arms down by his sides and looked me in the eye. I could tell he knew his luck had run out, and he was asking me to show him kindness. I did not. I hit him once, directly in the nose, and he fell. The crowd, which had grown to perhaps even a hundred people, let out a roar and I suddenly missed my days of being a star. On the basketball court, tennis court, in the pool, you name it, I was a champ— until of course everyone went through a little thing called puberty and most of my physical advantages dwindled away. I felt that fan support that had been missing for a few years and went with it. Even though Steven was down, I took no chances that he would forget this moment. I favored the left side of his face, and let loose with a few clean punches to his eye. When I saw blood, I moved to his jaw, hitting him a few more times. I thought I heard him beg, “Please, stop” but by then I was getting pulled off of him by three members of the maintenance staff and dragged to Principal Shearer’s office. When questioned as to why I had fought the “poor boy,” I said all I could think of. “He asked me if I wanted to.”
It was that poor boy whose battered face was the first I saw upon re-entering my domain. Even though he was merely standing at his locker organizing things it seemed as if he was waiting for me. As I heroically flung the double doors of the school open, he looked up, took a deep breath, and slammed the locker shut. I stepped over the threshold and as the doors closed behind me I could feel the breeze from it just barely avoiding knocking me down. I approached Steven with a smile, looking for a truce. “That’s quite the shiner you’ve got there, Steven, but it’s looking better than last time I saw it.” The area under his eye was a dark shade of blue, and under that were undertones of yellow and a lighter blue. His chin just had one bandage across the middle of it.
“Fuck you.”
“Whoa there, no need for that.” I cordially took my hand out of my pocket and offered it to him.
“I apologize.” He quickly slapped my hand away and directed a venomous stare my way. It was difficult to stare back, as his eye was too much for me to handle.
“Fuck. You.” He made sure to hold the pause in between the words in order to properly express his anger.
“Listen, Steve. What happened between us, it was not good. I might even go so far as to say that it was bad. And I’m sorry. But I got my punishment, and clearly you learned your lesson, and we should leave it at that. No?”
Steve did not say word, choosing instead to shake his head as if deciding to not pursue a potentially rewarding business opportunity, and eventually repeated coldly, “No.”
“What do you want, then?” This type of talk was more to his liking.
“A rematch.”
“Excuse me?”
“You heard me.”
“Wait, you want to fight me? Again? And you really thought about this?”
“I don’t have to think about it, I just have to want it.”
“Listen, Steve—”
“I wasn’t asking. 3:30— today.”
“Don’t you want to at least give yourself time to heal?”
“I have.” I could tell he wanted this line in particular to resonate with me because after delivering it, he seemed to want to say no more, and a smirk came across his face. He continued staring, thinking he had the upper hand, and frankly, he may have been right. At that moment, I was speechless. Fortunately, the morning bell signaled the conclusion of our mano y mano and Steven quickly turned around and scampered to class. His stare lingered.
“What a Mo-Ron, trying to have at you again. He can’t be serious.”
“He seemed serious.”
“Well I guess you gotta teach him another lesson, huh?” My friend Doug was always there to encourage me, to convince me that I couldn’t take shit from anyone, that I shouldn’t take shit from anyone. Yet not once did he apply that to himself. I did all the intimidating for him, and he got to coast through life like he was entitled to the protection. Including from our chemistry teacher, Mr. Taylor, who was typically late to class.
“I don’t know… it’s a bit too soon, you know?” Like he always did when something rubbed him the wrong way, Doug made a grand gesture, throwing his arms up in the air and rolling his eyes. He took the tone of a trainer pumping up his boxer before a prizefight.
“Fuck that noise! He wants another go at you, show him what you’re made of. What are you gonna do, not show? Then everyone will think you’re some bitch.”
“Hey. I’m not a bitch.”
“Exactly. Thus, you fight.” His business-like hand gestures and adamant fist pounding on the table really stuck the point.
“It’s not that easy, though.”
“Oh but it is, mon frère. You kicked his ass last time, just go do it again! No harm done.”
“But the harm’s already been done. Shearer’s got me on his radar.”
“That old guy? What’s he gonna do, suspend you again? Then you get to miss more school; even better.” I looked up at the clock. It had only been five minutes, which meant I had to endure this conversation for ten more unless Mr. Taylor would come in and just save me.
“I don’t know, he told me if I did it again, it’d be pretty serious.”
“What’d he say?” At this point I would have done anything for Mr. Taylor to come in and start his titration lecture. The attention I always got from Doug suddenly seemed to all be a hoax, a ruse in order for him to project himself onto a part of me. I didn’t want anything to do with him anymore.
“He said he’d probably have to suspend me— at least that’s what I think he said. I wasn’t paying full attention to be honest.”
Doug could only muster up a nod to my half-hearted response and the conversation abruptly ended. Just to make sure I got his point, after a few moments of awkward silence, he turned to me and said, “I still think you should do it. Can’t have people thinking you can be controlled.”
“Thank you for sharing your opinion now shut the fuck about it please.” Then, to myself, “Where the hell is Mr. Taylor anyway?”
Almost on cue, the door swung open and in he walked, wearing his typical business suit, something that made him stand out amongst the other Parkhurst High employees. Or maybe it was the impeccable comb over, or the precision with which he put his Samsonite briefcase down every day, sliding it into the same exact spot under the corner of his desk. He stood at the front of the class and breathed deeply, making sure to hold up his chest and broad shoulders as he did so. Even after he exhaled his upper body seemed a little bigger than it should have been. He looked around the room to scope out the mood of the day when I must have caught his eye because his shoulders slunk a bit and he let out a remorseful, “Good to see you again.”
“Why thank you, sir! It’s good to be back!” I made sure he could see my teeth and catch my subtle head tilt as he took in my response. He shook his head, looked to the ground for a moment, and came back up smiling as if our quick encounter had never happened.
“Shall we begin?”
Just before lunch, I was called to Principal Shearer’s office. When I walked in I realized it always seemed dead and lonely, not just when Shearer was in a bad mood. The faded blue walls clearly had not been changed since the building was built, and the aged wood that made up Shearer’s desk and drawers made me realize why our entire school seemed to have a musty smell to it, almost like body odor combined with old age. He sat behind his desk in a chair whose width would barely hold someone of my size yet whose highest point nearly touched the ceiling; I had never seen anything quite so geometrically abstract, except of course, for the last time I was sitting across from it.  I didn’t know why I was there but it quickly became apparent that Shearer’s motives were transparent at best.
“So how was your week off? Did you learn anything about yourself?”
“That I suck at Jeopardy.”
“Excuse me?”
“I didn’t really have anything to do all week, you know, seeing how I couldn’t get my work or be with my friends because, well, they were here, but I did get to watch a lot of episodes of Jeopardy that my parents recorded. I didn’t fare so well.”
“That’s… not quite what I was getting at.”
“Then what were you getting at, Principal Shearer?” He readjusted in his seat as much as he could.
“Do not patronize me, young man.”
“Oh, I’m not. I just don’t know why I’m here exactly, and I’m trying to be as honest as I can.”
“You know why you’re here.”
“Sir, I honestly don’t.”
“Because you beat up Steven Mehler.”
“Beat up? Please, it was a fight— and I was here for that last week. I have no idea why I’m here now.”
“I wanted to check up on you.”
“Is that really necessary?”
“I don’t know, is it?” With that, he took off his glasses like he was trying to be my psychiatrist or something. I already had one of those so I sat in silence, waiting for him to make the next move. If I played my cards right I’d be out of there in no more than five minutes; with a little bit of luck, maybe two. Principal Shearer suddenly stood up. I had never noticed how short he was, and his attempt to loom over me actually made me feel bad for the guy. Here he was trying to intimidate a student, me of all students, and standing over me, he barely had to look down for us to lock eyes! All of his power was lost before it had even been established.
“I’m worried about you— and let me finish before you interject. You have a lot of potential. I can see it, your teachers can see it, and I think you can see it. But for some reason, for some reason, you think you’re better off being the way you are now.”
“The way that I am now? That’s who I am. That’s who I’ve always been.”
“And that’s the way it’ll always be, right?” Damn right that’s the way it’ll always be. Nobody’s going to make me who they want me to be, some idealized image of the things they didn’t achieve for themselves. This guy clearly did not know who he was talking to. I wasn’t some weakling who was going to let things fall into place after following the rules for x amount of years; I wasn’t going to lead a cookie-cutter life full of the typical family photos and reunions and all that bullshit. I was going to be who I wanted to be, and I was going to do what I wanted to do. If only I could have gotten any of this out before Shearer continued. “Wrong. Because you can change. Not whenever you want, but when you are ready. You need to realize that some people are ready before others, and it is their duty to pursue the call at the moment it reaches out to them. ” He stood there for a few moments, as if waiting for a response from me, but I was not going to give him anything. There he was, trying to frighten me into following his rules and becoming the student he wanted me to be, as if the principal of a public high school has any right to tell people what they should and should not be doing.
“Are we done?”
It was two minutes before my poetry class started when Ms. Richards told me that we had an exam that day. I had missed the classes discussing the material we were to be tested on, but I was still responsible for the material nonetheless. I was a victim of circumstance.
            “Whoa there, you’re telling me that I have to recall facts and information that I don’t have and didn’t even know I had to know for today?”
            “Despite your poorly-phrased summing up of the situation, yes, you are correct.”
            “That doesn’t seem very logical. Am I wrong?”
            “You are not wrong. However, the rules are the rules. You weren’t sick, you were merely absent.”
            “A forced absence! I was suspended.”
            “For something that you yourself did. Which would mean ultimately it is your fault that you are in this situation, and nobody else’s.”
            “Give me a break, here.”
            “I’m sorry, I cannot. I didn’t come over here to discuss, but merely to inform.”
I thought about grabbing my balls and telling her to inform those, but using my better judgment I merely kicked the leg of my desk and paid her no more attention. She stood looking over me for a few moments before mustering up a “if you have a problem, take it up with Principal Shearer” and heading back to the front of the room to begin distributing tests.
The sun fell behind the clouds and the clock struck 3:30. Thinking I could get out of a lose-lose situation, I found myself walking briskly towards the school exit. The eyes of students at their lockers seemed to be focused on me, and as I got closer and closer to the light at the end of the tunnel I had a feeling that I was being led to something. My suspicions were confirmed when I finally felt fresh air once again, only to see a circle of kids, tens, maybe even a hundred, surrounding the area around my parked car. Steven placed himself in the middle of the circle and paced around, doing his best impression of a hype man trying to pump the crowd up. All the students gave in and a slow clap ensued. After the spectacle was complete, I made my presence known. The crowd opened up for me and I entered the arena. Steven would not even give me the benefit of acknowledging my presence; he was now merely squatting, slapping the pavement in order to convey his supposed dominance over it. The bruises on his face made it hard for me to picture him as anything other than my punching bag. I still could not believe he had the gall to think this was an appropriate course of action. I had won fair and square, but humiliating himself as much as possible seemed to be part of Steven’s MO.
Steven stood up, cracked his neck and his knuckles, brought that deviant stare back into my gaze, and bluntly said, “let’s do this,” as if our lives depended on it. His might have. He got into a sparring pose and seemed as if he were going to approach this a bit more strategically than last time. He circled me, and I rotated my body to make sure he was constantly in sight. As I did, I found my eyes wandering towards members of the crowd. There was Rebecca, who seemed to want nothing more than to see me get what I deserved. How she could still like Steven was beyond me, particularly after he had taken advantage of her like that. I saw Doug hitting his fist against his palm, seemingly full of more rage and will to fight than even I was at the moment. Suddenly, Steven reminded me I had business I was supposed to be attending to and cheap-shotted me in the stomach. I keeled over, more from the surprise than actual pain, and almost instinctively raised my left leg to his chest. The weak, wounded boy fell over almost immediately.
This was pathetic. One punch last time, one kick now? Who was this kid pretending to be? He lay on the floor for a moment, stunned at his own weakness. I imagined his other eye just as black, and he now looked like a raccoon, at a loss for how to possibly defend himself against this bear of a man. He tried to stand up but could not by himself. Doug took a step forward, raised his hands in the air, and yelled “That’s it!” The crowd moaned and Steven tried to stand up again.
“Bullshit! This is not fair!”
“The rules are the rules my friend.” But Doug was not in charge, and there were no rules laid out. There didn’t need to be. This was my problem and Steven’s problem, and all the fanfare played no part into how we were going to settle this. Without saying a word, I walked over to Steven and helped him up. The few students who had taken Doug’s word suddenly came back and the circle was full once again. Steven winced a little as I got him to his feet, and I grabbed him by the shoulders. “Quit being such a pussy.” I let go, turned around, and took a few steps away. I stayed turned toward the crowd but I could feel Steven’s rage building towards me. He was all-but motionless, but his breaths became deeper and longer, and his pain had clearly subsided to the point that he felt physically capable again. I stood for god knows how long, waiting for him to do what I could not believe he had not done yet. I finally could feel him approaching and turned around. I clenched my hand into a fist and closed my eyes. He grabbed my shoulder, turned me, and I relaxed my fist. I brought my arm up slowly toward him, but he hit me square in the cheek with a fist of his own. It did not hurt as much as it stung, almost like a shot at the doctor’s office. The cool air made the sting last, and Steven quickly hit me on my other cheek. The crowd let out a loud roar and it was clear what they had wanted to see all along, since over a week ago. I gave it to them.

I half-heartedly threw another punch, which Steven easily avoided. He jumped behind me and put me in a headlock. This was almost crossing the line, but just as soon as he got me in it he was throwing me to the ground. He jumped on top of me and began pummeling my face, clearly at odds with his feelings of vengeance. I heard only claps, and nobody seemed to be doing anything else. Even Doug was getting off on Steven’s rage. After what could have been ten solid strikes to the face, I decided I’d play dead. I turned my face to the pavement and closed my eyes. I could feel Steven wanting to hit me one more time, but he did not. I continued to lie down on the hard pavement with my eyes closed for what must have been like a long time. There were no more footsteps of students walking away, no more engines revving. I did not open my eyes but figured I was lying there all alone. Everyone else was at home, with their families, or hanging out with their friends, or on the phone discussing what they had just witnessed. Whether they felt bad, or proud of Steven, or disappointed that I did not put up a better fight I did not know. I figured I’d lie there for a while.

Wednesday, May 7, 2014

To Be Young



Youth is wasted on the young, many say. But how true is it? From my experiences in the year since graduating college, unfortunately it seems to be very true, particularly if 30 years old and under still constitutes as young. So why is it that most people seem to be so myopic that they waste their early days enjoying themselves, and the next 40-50 years suffering through work life, family life, and everything in between? I don't have an answer, but I have some thoughts on the subject:

College was and is the strangest experience of most people's lives. In no other time are you surrounded solely by people your age, with no proper barometer how to behave aside from your own voice of reason and perhaps the behavior and opinions of a few close, trusted friends. Only in college does being ambitious, driven, and thinking outside the box tend to lead to immediate disappointment. You begin to learn too soon that the world moves in crowds, and trying to stray away from it will lead to frustration, adaptation, and serious philosophical consideration of your place in the world and the value you can bring - and take - to and from it. For many, I believe, this attitude arises in our 18-22 years and implants itself firmly in the mind, so that every decision thereafter has some sort of consideration of how it might come across or whose attitudes it might not be in line with. I find this to be especially true today, where so many young people seek instant gratification, and FOMO is a part of a culture that - whether you choose to pay attention to it or not - affects many decisions that people make, from their social life to professional life and beyond. This may seem like a petty observation, but I believe it is far from it.

In our media-driven world, we see young people get famous all the time, mostly for all the wrong reasons. However, because we are inundated with information about those more fortunate than us, we simply cannot realize how much hard work (and on a smaller scale luck) it takes to get in the spotlight, to a place where people know your name, know what you represent, and buy into it - something I see more and more people aiming for in life. Rather than choosing to live a life that deserves praise, they choose to lead a life that brings praise, two mindsets that could not be more different in 2014. Or, there is the other side of the spectrum, where those less fortunate (and certainly not as hard working) believe that those lucky few are inherently special, due to some sort of character trait, fate, or simply because the people who believe this are not considering what the person might have been doing before everyone knew who they were. We put people up on a pedestal, and thus they remain on the pedestal, simply because much of the world chooses to let them stay there. Again, in a world where advertising rules, this is egregious, and the separation between successful and failing are world's apart, like two sides of a coin that can never overlap.

As a child lucky enough to be born and grow up within New York City, specifically Manhattan, I was exposed to some of the greatest successes in the world, and had the fortune of being around some of the hardest working, most intelligent, and yes, lucky people on the planet - people many believe would give them the opportunity to make something of themselves, if only they could somehow swing a face-to-face with the person. Perhaps this is why I see so much wrong with our society, where people let others, and even worse the past, dictate their current behavior. Thinking we don't have agency and saying so does nobody any good, least of all the person claiming it. In a nation acting as the home of the brave and the land of the free, people are awfully stubborn about following rules, whether it benefits them or not. I believe this is the root of the issue in terms of the lack of hard work I see from day to day, and the lack of interest most people have in actually changing their lives, despite their constant pleas for something more. We may want to leave the rabbit hole, but almost all of the time, staying inside feels safer, more truthful, and simply easier - rather than taking a risk, many of us settle, and adapt an attitude of "this is the way it is" when that statement in and of itself is invalid, specifically because "the way it is" is drastically different to the various people who are perceiving it.

The defense mechanism of "that's the way it is" has and will never lead to innovation, success, and progress, and while this attitude is obviously fading away, we are far from a point where everybody can see their own agency, and their own path towards impacting the world, rather than merely filling the roles and repeating the mistakes that people who lived and died before them. Having your own unique point of view, living life your way, while of course adapting to the world in other people's minds, is not something I see enough of. People may argue against me, and claim that with the rise in digital media, and the emergence of the "Information Age," people can and do communicate themselves to the world however they want. If this is what most people truly believe, I have to rudely say I feel sorry for them, because everybody using the same social media platform and liking the same things as other people is NOT a form of being independent: it is instead a way to value yourself by something physical, that which you absorb, consume, and then share said consumption of with others. And if there is a sadder way to find your place in the world, I don't know what it is. Instead of valuing thought and morals, we value action and results - this makes sense, it "keeps the world turning" if you will, but when does innovation stop meaning progress? When does being able to communicate with someone across the world, face to face, live and in real time, lead to us sitting in front of screens, never seeing other human beings in the flesh? I don't know about you, but I still value a good old-fashioned handshake very highly.

I might seem awfully hypocritical, spilling my thoughts on out a blog, but it is better than what I see many others do. I carry no second agenda with this, no ulterior motive, other than to stake my claim in the world a little bit more. I wish I could say this out loud to someone, but I have not found anyone yet who would give me the time to use this many words - they would lose interest too fast, what with their ability to constantly be distracted, to constantly be doing something, anything, except ruminating in their own mind and really thinking about their place in a world that they are by nature the center of. Rumination is sometimes said to be devil's work, a useless time-waster when more productive things could be happening. But is it not of the utmost importance for true personal growth? If we went from moment to moment without considering our actions, how they made us feel, and how they might make others feel, we risk losing connection with the very thing that connects us - a collective unconscious, emphasis on the "UN." We live in a physical world, but we are not connected physically - how else could you explain the feeling one feels at a live concert, when they could swear everyone around them was feeling the very thing they were? If we do not work when we are young, we risk losing sense of ourselves, and our potential importance in this world, no matter how mundane. Instead of sharing what we do, why not share who we really are? Not the guy or girl who makes funny faces, or who likes The Sopranos but cannot bring himself to love Boardwalk Empire, but the person whose heart melts every time they hear a saxophone, or cries when they are driving down the highway, alone, with nothing but the wind and the open road to focus on? Perhaps by becoming blank slates, and letting the world and our work bounce off of us from the time we graduate college (or for some, high school) we may surprise ourselves, discover just how powerful having our own agency can be, forget about all the petty things we use describe ourselves, and realize that we are all worth something much greater together than apart. Perhaps we can come to understand each other not for our likes or dislikes, but for our very beings, that which cannot be put into words, thoughts, actions or anything. Enjoy the moment for the moment's sake, not because of what came before or after; take company for company's sake, and appreciate the fact that with collaboration and acceptance, anyone can do anything they desire, particularly if the desire is more spiritual and emotional than anything else.


FIN

Tuesday, May 6, 2014

Today's Movie Reviews

In the past week, I have the pleasure of seeing some great films... and not so great ones. Here are my thoughts on the ones that stood out, for reasons positive or negative.



1) Persona - Directed by Ingmar Bergman, Starring Bibi Andersson & Liv Ullman

I'm a sucker for Bergman. Ever since I heard one of my idols, Woody Allen, claim that Bergman was his favorite director, I knew I would love his work, and it was only confirmed and magnified by my viewing of The Seventh Seal, Wild Strawberries, and Fanny & Alexander, my first foray into the mind of a mad cinematic genius. With Persona, Bergman brings something much different than many of his other films - a deliberately experimental fever dream-like story that cannot be summed up in words as much as understood on a psychological level that goes far beyond the limits of language. In his narratively simple tale of a nurse and actress spending a summer away from the world, Bergman captures more about the human condition, and more importantly how we relate to one another and project our insecurities on one another, than in the past 15 modern American films possibly could.
Even the opening sequence is more resonant and powerful than pretty much anything seen on the screen today, and the emotions it provokes and confusion it leads to only act to strengthen its purpose, engraining itself in your mind and lingering there well after the final, beautiful frame fades out - perhaps even further than you want, so impregnable are the concepts the film aims to attack. Combine that with stunning cinematography and absolute pitch-perfect acting by Andersson and the near silent Ullman (who can convey more in a simple movement than many actresses can with a histrionic, oscar-clip worthy speech - a fact which may be attributed as much to Bergman as the actress herself), and you get a film that is one for the ages, and rightfully so. It is a cliche, but I must say it: They don't make them like this anymore. Challenging, intelligent to a fault, and wildly ambitious in derailing audience expectation (or simply not caring what the audience wants, instead giving them a taste of what they need) Persona is an essential film in cinematic history, and one I must go back to fully understand, despite my assurance that Bergman is so much smarter than me that whatever I discern from his work of art will merely scratch the surface of what he intended to say.

Final Grade: 9.5/10


2) Blue Ruin - Directed by Jeremy Saulnier, Starring Macon Blair

Getting rave reviews nearly across the board, Blue Ruin had me more excited than I can remember for a definitively independent thriller from a director I had no familiarity with and actors I had never seen before. Reviews relating it to the methodical noose-tightening of the masterful No Country for Old Men solidified the fact that this was one of my more anticipated films of the first half of the year. Unfortunately, while Saulnier is clearly a talented filmmaker, creating tension-filled scene after scene with an impressive eye for simple yet effective mise-en-scene, comparisons to the Coen Brothers classic simply acted to remind me just how much this film is lacking in terms of narrative structure and even full-on credulity at times. Telling the story of a down-on-his luck homeless man thrust into a battle for his life after taking revenge on a man who killed his parents very long ago, Ruin suffers from its repetitive nature and, more importantly, stilted dialogue and delivery of said dialogue that act to completely take you out of the film, rendering the well-executed action scenes (showing impressive restraint in terms of the violence shown versus the violence implied) relatively dry, due to the lack of stakes felt and the lack of empathy I had for the main character. In an interview speaking about the film, Saulnier said he gravitated towards the idea of a revenge thriller because very little exposition was needed in order to understand what was happening. While the lack of spoon-feeding the audience is of course much appreciated, it also acts to make the film leave little impact, for it retreads similar thriller ground as many other films, without a strong enough personality to make it truly memorable. Yes, the locations are gorgeous and some scenes run with an unique energy that sets it apart from many others similar films, particularly in the opening 15-20 minutes, but ultimately the whole thing feels a bit weightless, and by the time the climax rolled around, I simply was not invested in what was going on: there was too little characterization, some of the acting bordered on mundanely amateur, and the tension established plateaued early on, almost like Steven Soderbergh's Contagion, which rose to such a fever pitch intensity in the onset that the rest seemed underwhelming by comparison. Ultimately though, Saulnier is a talent to watch, if only he could have someone else write a more original script and if he was not so set on casting his best friend in a role that while admirable to take on, required much more than Blair delivered.

Final Grade: 6.5/10


3) Joe - Directed by David Gordon Green, Starring Nichols Cage and Tye Sheridan

David Gordon Green has become one of the more prolific directors of this era and one my favorites, in large part because of his ability to bring artistry to the most outrageous of environments, perhaps best seen in his brilliant episodes of Eastbound & Down. His combination of dark, absurd comedy and intense pathos is unique to him, and combined with his "southern gothic" mystique, gives him a cinematic personality all his own - a special thing in a world filled with derivative or copy-cat films becoming more and more commonplace. With Joe, his follow up to the wonderful, very different Prince Avalanche, Green is at his most indulgent, with varying results. His protagonist, Gary (Sheridan), lives a grown-up life in a child's body, forced into maturity due to an abuse, alcoholic, incoherent father. Joe (Cage), takes him under his wing (as much as an introverted fuck-up can), and the two form a bond that grows stronger as the tension in the world builds. This description sounds relatively mundane and ends up being so, with not very many emotional beats surprising me, leaving me underwhelmed with the main story. That being said, Green is a strong enough filmmaker to leave indelible impressions despite merely satisfactory material - specifically in his characterization of Gary's father, played by unknown Gary Poulter - a deeply troubled man with great misfortune all his own. It is in early scenes depicting the poisoning of trees that the film works best - and shows that Green needs no structure to entice and enchant an audience. Combined with the rambling of other unknowns, all tasked to poison a forest (I believe the same forest used to absolute perfection in Avalanche) Poulter gives the impression of a man so upset with how his life turned out that he simply has to destroy everything around him. In the hilarious, tension-filled scenes of him arguing with the African-Americans in a dialect almost impossible to understand, Green is nearly at his best, using the landscape and blocking to depict the emotionality of the moment. It is when the script falters when Green falters, and most of pertains to Joe's story, despite Cage's best (and impressive) efforts to give the film a mind of its own. Cage plays Joe as troubled, brooding, but right-minded man who simply cannot keep himself under control - and lets his emotions get the best of him at the exact wrong moments. Similarly, Green indulges a bit too much, and the script becomes a bit too predictable - exactly when it could have separated itself from the pack - leading to the entire film to fill a bit underwhelming, if still beautifully shot, directed, and acted. Everybody involved is clearly talented, but at times it does not result in a coherent whole - a shame considering how all the talents coming together correctly could have led to another independent masterpiece by a director chock full of them.

Final Grade: 7/10


4) The Great Beauty - Directed by Paolo Sorrentino, Starring Tony Servillo

Winner of the Academy Award for Best Foreign Film, Paolo Sorrentino's follow up to his first American production, the mixed bag, eccentric to a fault This Must Be the Place, The Great Beauty is much less of a narrative film than an expressionistic piece of art about culture, fulfillment, aging, life, death, and the high-society in all its beauty and misery. Depicting an undetermined period of time in a journalist's life, Sorrentino leaves a mark on its audience through the coherence of stunning visuals, a beautiful score, an an unbridled energy that simply is too hard to ignore, and too charming to not be swept up in. Scenes cut in and out of one another with little narrative purpose, focusing more on an emotional and intellectual understanding of how all the seemingly random vignettes might fit together - similar to how a man, in this case the journalist played by Servillo, might try to build some structure and meaning in a privileged life that ultimately might have wasted that which makes us most human. From the high-society parties to the amazing museums of Rome, there is not a single frame that Sorrentino does not find beauty in, leading me to believe the "Great Beauty" of the title is not the journalists long-lost love (whose death prompts Servillo's journalist's reminiscing) or the beautiful sculptures and painting of a city left behind by most of the world, but life itself. For many it is stale, but for just as many it is magnificent, unpredictable, and absolutely breath-taking just what the world can offer, if only we would take the time to look at it. At times, the unevenness of the film is a distraction, particularly at around the hour and a half mark, where hilarious scenes of high-society art shows are mixed with lavish parties (undeniably enjoyable but ultimately not serving much of a purpose), and at 2 hours and 20 minutes, the film is far too indulgent, but much of this can be excused because the moments of cinematic purity and power are so successful at what they set out to achieve that you can tolerate a few extraneous moments. A bit more problematic is the semblance of a plot the film ends up trying to have, particularly in Servillo's relationship with a friends daughter, played by the stunning, quintessentially Italian Sabrina Ferilli, which builds momentum and ends on a strange note that leaves her fate unclear and unsatisfying. While we are whisked off to more beautiful landscapes and moments of intense reflection, I couldn't help but feel cheated by the emotional connection I had made (and perhaps to my own fault defined as necessary to the film's overall "story") and disappointed in how scattered the script turned out to be. Ultimately though, much of this did not matter, for the film will be remembered not for it's scattershot approach to storytelling, but its profound images of unique cinematic language which marks Sorrentino as one of the more defined visually artistic voices, at least as far as my realm of artistic knowledge goes. A reminder of a bygone era of Italian Cinema, The Great Beauty is the rare film that is heavily flawed but emotionally grand nonetheless, a love letter to life in all its glory, mystery, and occasional misery.

Final Grade: 8./10


Thursday, May 1, 2014

Today's Quotes to Mull Over


-No Mr. Sterling, Black History Month is not in March, nor does "underprivileged" imply "black." (and for good measure, couldn't you have chosen any other black player on your team, not an albino ginger?)

This past weekend, the sports world was given a serious dose of realism and controversy set off by unfathomably inappropriate comments by Clippers owner Donald Sterling. Now that the storm has settled, the punishment has been handed out, and every important figure has had their say, here are some of my favorite quotes regarding the matter.

1) People want to Boycott Clippers because of one man? My house has been burned to the ground, animals tortured and burned as well. Along with anything we ever loved, and held treasured, because of the color of my dads skin. We lost everything and had to start over. Did we hate the collective people, culture, and race who's skin was responsible for our hardship? No. One man cannot have the power to make me feel hate towards a group, race, or another persons skin color. Nor would I allow them to have the power over me to not support the players and coaches that have done nothing wrong...
-Jeremiah Rivers, son of Doc (Head Coach of the Clippers)

2) "There's no place for racism in the NBA, any business I'm associated with. But at the same time, that's a decision I make. I think you've got to be very, very careful when you start making blanket statements about what people say and think, as opposed to what they do. It's a very, very slippery slope."
-Mark Cuban, Mavericks Owner, Resident Loudmouth (albeit a highly intelligent one)

3) "I agree 100% with Commissioner Silvers findings and the actions taken against Donald Sterling."
-Mark Cuban once again, making sure his voice is heard.

4) “So, if we’re all going to be outraged, let’s be outraged that we weren’t more outraged when his racism was first evident. Let’s be outraged that private conversations between people in an intimate relationship are recorded and publicly played. Let’s be outraged that whoever did the betraying will probably get a book deal, a sitcom, trade recipes with Hoda and Kathie Lee, and soon appear on ‘Celebrity Apprentice’ and ‘Dancing with the Stars."
-Kareem Abdul Jabbar, NBA Hall-of-Famer, Voice of Reason

5) "Mob rule is dangerous. Well-intentioned, TV-baited mobs are the most dangerous. They do not consider the consequences of their actions, and they're prone to take a simple-minded, instant-gratification approach to justice rather than a strategic one.
Removing Donald Sterling from the NBA solves nothing. It sets a precedent that will likely boomerang and harm the black players and coaches who are shocked and outraged that an 80-year-old man with a documented history of bigoted actions also has bigoted private thoughts."
-Jason Whitlock, sportswriter for ESPN

6) In American sports, issues of race are unavoidable. But when we turn our attention to those issues, we tend to do so in discussion of sensational topics. And we do so with little more than passing interest. We're more concerned with people saying stupid things, transgressions that even undeniable racists could criticize. People from every walk of life are entitled to slam someone for talking too much. In Sterling's case, we're confronted with racism in its most problematic form. And up until now, we've said very little. Many of us lent thousands of words to lambaste the Vikings' stripper party last season, but we've been silent on this? That doesn't mean we should campaign for Sterling to lose his team. But we should wonder what David Stern thinks of there being an owner in his league who seems to have disturbing views about most of his players. We should ask Sterling what he thinks of his players. More than just talking about racism and debating whether it exists in a few situations, we should attack it directly, especially when it's so destructive and glaring. 
-Bomani Jones, Sportswriter for ESPN, in a 2006 Article